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Revista de Filología y Linguística de la Universidad de Costa Rica

On-line version ISSN 2215-2628Print version ISSN 0377-628X

Abstract

BOTERO CAMACHO, Manuel  and  SAN ROMAN CAZORLA, Julio. The electric golem: Updating The myth in ian McEwans Machines Like Me. Rev. filol. linguíst. Univ. Costa Rica [online]. 2022, vol.48, n.1, e48061. ISSN 2215-2628.  http://dx.doi.org/10.15517/rfl.v48i1.48061.

This article presents the evolution of the Golems myth in Ian McEwans Machines Like Me using the myths actualisation presented in Borges poem The Golem. An analysis of how the mythic roles embodied by the main characters of the novel are reverted is provided, establishing a parallelism between the myth and the modern theme of androids. The result of this appears to be catastrophic for humanity as the artificial creation of life and the inclusion of androids in society is perceived as a threat due to the fact that ancient creation myths remain in humankinds memory, especially those where humans creations defy their creators. Adam, the android who plays the role of the Golem ultimately reveals himself as a perfect creation, far from what his mythic counterpart is supposed to be and Charlie, his owner and creator, afraid of being inferior to the android, decides to kill him in order to reaffirm the already established human power over the machines.

Keywords : Machines Like Me; Ian McEwan; androids; Golem; Borges.

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