<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2215-2466</journal-id>
<journal-title><![CDATA[Revista Rupturas]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Rup.]]></abbrev-journal-title>
<issn>2215-2466</issn>
<publisher>
<publisher-name><![CDATA[ Universidad Estatal a Distancia (UNED)]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2215-24662017000200163</article-id>
<article-id pub-id-type="doi">10.22458/rr.v7i2.1837</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Desde lo profundo de sus obras. Unanálisis sobre lapatologización/expropiación del cuerpo de las mujeres]]></article-title>
<article-title xml:lang="en"><![CDATA[From the depth of their works. A feminist analysis of Costa Rican artistsworks]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Barboza]]></surname>
<given-names><![CDATA[Patricia Oliva]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Estatal aDistancia  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Costa Rica</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2017</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2017</year>
</pub-date>
<volume>7</volume>
<numero>2</numero>
<fpage>163</fpage>
<lpage>191</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_arttext&amp;pid=S2215-24662017000200163&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_abstract&amp;pid=S2215-24662017000200163&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_pdf&amp;pid=S2215-24662017000200163&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo surge de la investigación del mismo nombre e intenta transmitir desde una lectura feminista, percepciones y sensaciones de dos obras de arte escénico: Augustine y Vacío. Sabiendo que el arte no se puede ni se debe traducir, lejos de sugerir un significado, lo relevante es dimensionar su poder transgresor. Cuando te sorprendes con obras tan bien logradas, que recuperan de forma clara, la historia de la patologización/expropiación del cuerpo femenino, eso que te trastoca no se puede quedar dentro, corresponde hilar y exteriorizar lo mejor posible y eso pretendo con este artículo. ¿Cuál es la posibilidad de lectura que tiene una obra de arte? es infinita, ilimitada, abierta y recorre muchísimas formas, acá presento solo una de ellas.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article spawns from the homonymous investigation, and attempts to convey the sensations and perceptions of the plays Augustine and Vacio from a feminist perspective. Realizing that art cannot and should not be translated, far from suggesting a meaning, what is relevant is to measure its transgressiveness. When you find yourself in awe with such flawless plays that clearly retrieve the history of the pathologizing and expropriation of the female body, something that upsets one to such an extent that it cannot be kept inside, it behooves me to put together the pieces and externalize them as best as possible, and that is what I attempt to do in this article. What are the possible interpretations for a work of art? They are infinite, unlimited, and open with many winding paths. Here I present merely one of them]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Desigualdad y arte]]></kwd>
<kwd lng="es"><![CDATA[mujeres artistas]]></kwd>
<kwd lng="es"><![CDATA[invisibilización de mujeres artistas]]></kwd>
<kwd lng="es"><![CDATA[arte y feminismo]]></kwd>
<kwd lng="es"><![CDATA[deconstrucción mujeres y arte]]></kwd>
<kwd lng="es"><![CDATA[corporalidades]]></kwd>
<kwd lng="es"><![CDATA[análisis crítico.]]></kwd>
<kwd lng="en"><![CDATA[Inequality and art]]></kwd>
<kwd lng="en"><![CDATA[women artists invisibility]]></kwd>
<kwd lng="en"><![CDATA[women artists]]></kwd>
<kwd lng="en"><![CDATA[art and feminism]]></kwd>
<kwd lng="en"><![CDATA[art women deconstruction]]></kwd>
<kwd lng="en"><![CDATA[corporalities]]></kwd>
<kwd lng="en"><![CDATA[critical analysis.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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