<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2215-4906</journal-id>
<journal-title><![CDATA[Escena]]></journal-title>
<abbrev-journal-title><![CDATA[Escena]]></abbrev-journal-title>
<issn>2215-4906</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Costa Rica]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2215-49062024000200009</article-id>
<article-id pub-id-type="doi">10.15517/es.v84i1.58667</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Estética de la teatralidad judicial en procesos de justicia transicional en cortes locales: El Juicio Ixil en Guatemala como modelo]]></article-title>
<article-title xml:lang="en"><![CDATA[Aesthetics of judicial theatricality in transitional justice processes in ocal courts:The Ixil Trial in Guatemala as a model]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Zamora-Sauma]]></surname>
<given-names><![CDATA[Rocío]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Costa Rica  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Costa Rica</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<volume>84</volume>
<numero>1</numero>
<fpage>9</fpage>
<lpage>42</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_arttext&amp;pid=S2215-49062024000200009&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_abstract&amp;pid=S2215-49062024000200009&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_pdf&amp;pid=S2215-49062024000200009&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Introducción: Este escrito propone una estética de la teatralidad judicial en procesos orales y públicos de justicia transicional, centrado en el Juicio Ixil, desarrollado en Guatemala en el 2013. Objetivo: Construir un modelo para el análisis de la teatralidad de procesos judiciales de transición a partir de una serie de características que definen la estética de la teatralidad judicial del sistema acusatorio y los procesos de reenactment de la memoria histórica. Métodos: El análisis se basa en un estudio comparativo más extenso de tres documentos audiovisuales del Juicio Ixil. El texto dialoga con personas autoras provenientes de distintos campos que han ido ampliando de forma germinal las perspectivas sobre la teatralidad y performatividad de los rituales del Derecho. Resultados: Se describen las características de la estética de la teatralidad judicial, destacando la importancia de salir de una visión puramente formal del Derecho para considerar las formas en que se realiza teatralmente la justicia. Conclusiones: Es a partir de análisis interdisciplinarios e intermediales que atienden a la teatralidad judicial que es posible comprender el funcionamiento de la justicia hoy.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Introduction: This paper offers an aesthetics of judicial theatricality in oral and public transitional justice processes, focusing on the Ixil Trial, which took place in Guatemala in 2013. Objective: To develop a model for the analysis of the theatricality of transitional justice processes based on a series of characteristics that define the aesthetics of judicial theatricality in the accusatory system and the processes of reenactment of historical memory. Methods: The analysis is based on a more extensive comparative study of three audiovisual documents of the Ixil Trial. The text dialogues with authors coming from different fields who have been expanding the perspectives on the theatricality and performativity of the rituals of Law. Results: The characteristics of the aesthetics of judicial theatricality are described, highlighting the importance of moving beyond a purely formal view of Law to consider the ways in which justice is theatrically performed. Conclusions: It is from interdisciplinary and intermedial analyses that attend to judicial theatricality that it is possible to understand the functioning of justice today.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[teatralidad]]></kwd>
<kwd lng="es"><![CDATA[justicia]]></kwd>
<kwd lng="es"><![CDATA[Derecho]]></kwd>
<kwd lng="es"><![CDATA[recreación]]></kwd>
<kwd lng="es"><![CDATA[juicio Ixil]]></kwd>
<kwd lng="en"><![CDATA[theatricality]]></kwd>
<kwd lng="en"><![CDATA[justice]]></kwd>
<kwd lng="en"><![CDATA[Law]]></kwd>
<kwd lng="en"><![CDATA[reenactment]]></kwd>
<kwd lng="en"><![CDATA[Ixil Trial]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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