<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2215-3934</journal-id>
<journal-title><![CDATA[Revista Humanidades]]></journal-title>
<abbrev-journal-title><![CDATA[Humanidades]]></abbrev-journal-title>
<issn>2215-3934</issn>
<publisher>
<publisher-name><![CDATA[ Escuela de Estudios Generales de la Universidad de Costa Rica]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2215-39342020000100059</article-id>
<article-id pub-id-type="doi">10.15517/h.v10i1.39816</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Women in Shahnameh: An Overview on Mythical, Lyrical and Social Aspects]]></article-title>
<article-title xml:lang="es"><![CDATA[Mujeres en Shahnameh: una visión general de los aspectos míticos, líricos y sociales]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Elaheh Rahmanian]]></surname>
<given-names><![CDATA[Candidate]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ashrafzadeh]]></surname>
<given-names><![CDATA[Reza]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Islamic Azad University  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Iran</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Islamic Azad University  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Iran</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2020</year>
</pub-date>
<volume>10</volume>
<numero>1</numero>
<fpage>59</fpage>
<lpage>67</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_arttext&amp;pid=S2215-39342020000100059&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_abstract&amp;pid=S2215-39342020000100059&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_pdf&amp;pid=S2215-39342020000100059&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: Shahnameh is the most significant Persian epic masterpiece and it is the world's lengthiest epic poem written by a single poet. Shahnameh mainly describes mythical and historical dimensions of the Persian Empire in series of stories. The manifestation of love in the stories of Shahnameh is a real stimulus to prowess and epic. In this regard, Ferdowsi delicately paid attention in developing women characters of Shahnameh. In this article, it is tried to investigate mythical, lyrical and social aspects of women in different sections of Shahnameh. Mythical aspects of Shahnameh including zoroastrian beliefs are reviewed. The lyrical bases including poetry, playing, loving and marriage are considered in this research. And many women such as Roodabeh, Tahmineh and Jarirehwho contribute to lyrical aspects of Shahnameh are found and their character and other related dimensions are investigated and described. Interestingly it is found that in Shahnameh stories, gallantry alone cannot help a hero reach his goals unless love and affection are combined with it. Also, our research shows that some women in Shahnameh express their love consciously over their beloved man. Further, social roles of women in the romantic stories are categorised in political, martial, and artistic forms and further discussed.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Shahnameh es la obra maestra épica persa más importante y es el poema épico más extenso del mundo escrito por un solo poeta. Shahnameh describe principalmente las dimensiones míticas e históricas del Imperio persa en una serie de historias. La manifestación del amor en las historias de Shahnameh es un verdadero estímulo para la destreza y la épica. En este sentido, Ferdowsi prestó atención delicadamente en el desarrollo de personajes femeninos de Shahnameh. En este artículo, se intenta investigar aspectos míticos, líricos y sociales de las mujeres en diferentes secciones de Shahnameh. Se revisan aspectos míticos de Shahnameh, incluidas las creencias zoroastrianas. Las bases líricas que incluyen poesía, juego, amor y matrimonio se consideran en esta investigación. Y se encuentran muchas mujeres como Roodabeh, Tahmineh y Jarireh que contribuyen a los aspectos líricos de Shahnameh y se investiga y describe su carácter y otras dimensiones relacionadas. Curiosamente, se encuentra que en las historias de Shahnameh, la galantería por sí sola no puede ayudar a un héroe a alcanzar sus objetivos a menos que el amor y el afecto se combinen con él. Además, nuestra investigación muestra que algunas mujeres en Shahnameh expresan su amor conscientemente sobre su amado hombre. Además, los roles sociales de las mujeres en las historias románticas se clasifican en formas políticas, marciales y artísticas, y se discuten más a fondo.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Woman]]></kwd>
<kwd lng="en"><![CDATA[Lyrical]]></kwd>
<kwd lng="en"><![CDATA[Shahnameh]]></kwd>
<kwd lng="en"><![CDATA[Social]]></kwd>
<kwd lng="en"><![CDATA[Ferdowsi]]></kwd>
<kwd lng="es"><![CDATA[Mujer]]></kwd>
<kwd lng="es"><![CDATA[Lírica]]></kwd>
<kwd lng="es"><![CDATA[Shahnameh]]></kwd>
<kwd lng="es"><![CDATA[Social]]></kwd>
<kwd lng="es"><![CDATA[Ferdowsi]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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