<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2215-2636</journal-id>
<journal-title><![CDATA[Káñina]]></journal-title>
<abbrev-journal-title><![CDATA[Káñina]]></abbrev-journal-title>
<issn>2215-2636</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Costa Rica]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2215-26362025000100133</article-id>
<article-id pub-id-type="doi">10.15517/rk.v49i1.64839</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La vida cotidiana en el interior de Uruguay durante la dictadura. Sobre la balada de Johnny Sosa de Mario Delgado Aparaín y Ojos de caballo de Henry Trujillo]]></article-title>
<article-title xml:lang="en"><![CDATA[Everyday Life in the Interior of Uruguay During the Dictatorship. On La Balada de Johnny Sosa by Mario Delgado Aparaín and Ojos de caballo by Henry Trujillo]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Silveira]]></surname>
<given-names><![CDATA[Shubert]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Université Paris VIII École doctorale Pratiques et Théories du Sens ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Francia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2025</year>
</pub-date>
<volume>49</volume>
<numero>1</numero>
<fpage>133</fpage>
<lpage>158</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_arttext&amp;pid=S2215-26362025000100133&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_abstract&amp;pid=S2215-26362025000100133&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_pdf&amp;pid=S2215-26362025000100133&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo se centra en dos novelas emblemáticas de la literatura uruguaya: La balada de Johnny Sosa, de Mario Delgado Aparaín, y Ojos de caballo, de Henry Trujillo. Estas obras recrean la vida cotidiana en el interior de Uruguay durante la dictadura. A través de sus protagonistas, Johnny Sosa y Daniel Acosta, respectivamente, se examinan las diferencias en la representación de la cotidianidad en medio del contexto político. Delgado Aparaín presenta a Johnny Sosa, un músico afrodescendiente cuya identidad cultural se ve desafiada por la dictadura. La narrativa destaca la lucha de Johnny por mantener su autenticidad en un entorno represivo. Por otro lado, Trujillo adopta un tono más oscuro, explorando la violencia y la desesperación en su representación del interior uruguayo. Sus personajes se enfrentan a dilemas morales en medio de circunstancias apremiantes, revelando la cotidianidad marcada por la violencia política. Ambas novelas muestran cómo la vida diaria se ve influenciada por la dictadura, ya sea a través de pequeños gestos heroicos de resistencia o inmersos en un subsuelo de violencia. Este análisis se apoya en la teoría de Michel de Certeau sobre la vida cotidiana, destacando cómo los individuos navegan inconscientemente en un contexto político y social.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article focuses on two emblematic novels in Uruguayan literature: La balada de Johnny Sosa, by Mario Delgado Aparaín, and Ojos de caballo, by Henry Trujillo. These works explore everyday life in the interior of Uruguay during the dictatorship. Through their protagonists, Johnny Sosa and Daniel Acosta, differences in the representation of daily life amid the political context are examined. Delgado Aparaín introduces Johnny Sosa, an Afro-descendant musician whose cultural identity is challenged by the dictatorship. The narrative highlights Johnny's struggle to maintain his authenticity in a repressive environment. On the other hand, Trujillo takes on a darker tone, exploring violence and despair in his portrayal of the Uruguayan interior. His characters face moral dilemmas amid pressing circumstances, revealing daily life marked by political violence. Both novels demonstrate how daily life is influenced by the dictatorship, either through small heroic acts of resistance or immersed in an undercurrent of violence. This analysis draws on Michel de Certeau's theory of everyday life, emphasizing how individuals unconsciously navigate a political and social context.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Mario Delgado Aparaín]]></kwd>
<kwd lng="es"><![CDATA[Henry Trujillo]]></kwd>
<kwd lng="es"><![CDATA[cotidianeidad]]></kwd>
<kwd lng="es"><![CDATA[dictadura]]></kwd>
<kwd lng="es"><![CDATA[violencia]]></kwd>
<kwd lng="en"><![CDATA[Mario Delgado Aparaín]]></kwd>
<kwd lng="en"><![CDATA[Henry Trujillo]]></kwd>
<kwd lng="en"><![CDATA[everyday life]]></kwd>
<kwd lng="en"><![CDATA[dictatorship]]></kwd>
<kwd lng="en"><![CDATA[violence]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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