<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2215-2636</journal-id>
<journal-title><![CDATA[Káñina]]></journal-title>
<abbrev-journal-title><![CDATA[Káñina]]></abbrev-journal-title>
<issn>2215-2636</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Costa Rica]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2215-26362023000200081</article-id>
<article-id pub-id-type="doi">10.15517/rk.v47i2.55802</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Determinarse como escritor argentino: la lengua «afantasmada» de Alan Pauls]]></article-title>
<article-title xml:lang="en"><![CDATA[Determining oneself as an argentine writer: The ''ghostly'' language of Alan Pauls]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rodríguez Montiel]]></surname>
<given-names><![CDATA[Emiliano]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de Rosario Instituto de Estudios Críticos en Humanidades (IECH). ]]></institution>
<addr-line><![CDATA[Rosario ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>08</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>08</month>
<year>2023</year>
</pub-date>
<volume>47</volume>
<numero>2</numero>
<fpage>81</fpage>
<lpage>98</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_arttext&amp;pid=S2215-26362023000200081&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_abstract&amp;pid=S2215-26362023000200081&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_pdf&amp;pid=S2215-26362023000200081&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El presente artículo se centra en el comienzo literario de Alan Pauls, en específico, en sus dos primeras novelas: El pudor del pornógrafo (1984) y El coloquio (1990). Mediante el análisis del sistema de correspondencias europeo y extemporáneo (Kafka, Klossowski, Goethe, Bataille) que interviene en el proceso creativo de dichos textos, esta argumentación busca evidenciar, en primer lugar, el contexto inmediato con el cual esta narrativa decide, desde sus inicios, antagonizar aquellas escrituras afines a la idea de un hacer literario vinculado a la politización, el memorialismo, la función pedagógica, el folklorismo y , en segundo lugar, unido estrechamente a lo anterior, el conjunto de elecciones (temáticas, teóricas, filiatorias, formales y valorativas) que Pauls toma para hacerse un lugar en su tradición nacional. Una condición argentina de escritor, es decir, universal, cuya traducción formal, tal es nuestra hipótesis, es la composición de una lengua «afantasmada»: una lengua tallada desde adentro por otras lenguas, capaz de exiliar del propio tiempo a quien escribe para inventarle su propia contemporaneidad.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This paper focuses on Alan Pauls' literary beginnings, specifically on his first two novels: El pudor del pornógrafo (1984) and El coloquio (1990). Through the analysis of the European and extemporaneous system of correspondences (Kafka, Klossowski, Goethe, Bataille) that intervenes in the creative process of these texts, our argumentation aims to evidence, firstly, the immediate context with which this narrative decides, from its beginnings, to antagonize: those writings related to the idea of a literary work linked to politicization, memorialism, pedagogical function, folklorism. And, secondly, closely linked to the above: the set of choices (thematic, theoretical, filiatory, formal and evaluative) that Pauls takes to make a place for himself in his national tradition. An Argentine condition of writer, that is, universal, whose formal translation, such is our hypothesis, is the composition of an ''aphantasmed'' language: a language carved from within by other languages, capable of exiling the writer from his own time in order to invent his own contemporaneity.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Relatos de comienzo]]></kwd>
<kwd lng="es"><![CDATA[Alan Pauls]]></kwd>
<kwd lng="es"><![CDATA[Grupo Shangai]]></kwd>
<kwd lng="es"><![CDATA[anacronismo]]></kwd>
<kwd lng="es"><![CDATA[literatura argentina contemporánea.]]></kwd>
<kwd lng="en"><![CDATA[debut novel]]></kwd>
<kwd lng="en"><![CDATA[Alan Pauls]]></kwd>
<kwd lng="en"><![CDATA[Shanghai Group]]></kwd>
<kwd lng="en"><![CDATA[anachronism]]></kwd>
<kwd lng="en"><![CDATA[contemporary Argentine literature]]></kwd>
</kwd-group>
</article-meta>
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