<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2215-2636</journal-id>
<journal-title><![CDATA[Káñina]]></journal-title>
<abbrev-journal-title><![CDATA[Káñina]]></abbrev-journal-title>
<issn>2215-2636</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Costa Rica]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2215-26362022000100023</article-id>
<article-id pub-id-type="doi">10.15517/rk.v46i1.49690</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Salvador dali: la belleza usurpada]]></article-title>
<article-title xml:lang="en"><![CDATA[Salvador Dalí: The usurped beauty]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Calderón Arias]]></surname>
<given-names><![CDATA[María Gabriela]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Costa Rica Escuela de Artes Plásticas ]]></institution>
<addr-line><![CDATA[San José ]]></addr-line>
<country>Costa Rica</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2022</year>
</pub-date>
<volume>46</volume>
<numero>1</numero>
<fpage>23</fpage>
<lpage>39</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_arttext&amp;pid=S2215-26362022000100023&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_abstract&amp;pid=S2215-26362022000100023&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_pdf&amp;pid=S2215-26362022000100023&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El presente artículo busca establecer y reunir en sí diversos criterios que giran en torno a cómo entender la belleza desde una perspectiva polifacética, que abarca lo tradicional hasta lo que puede entenderse como innovador, abrupto y controversial. La fealdad, entonces, puede surgir de ese aparente goce estético, como un grito que conmociona los estándares de belleza. La belleza, por su parte, se torna como un ente ambiguo y nihilista, que oscila entre polos opuestos, desencadena diferentes reacciones en el espectador y es la materia prima con que las diferentes tendencias del arte elaboran su contenido. Dalí no escapa a este fenómeno y su arte refleja esta ambivalencia estética, la cual se analiza en varias de sus obras.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article seeks to show and gather various criteria that are concerned with understanding beauty from a multifaceted perspective, spanning the traditional to what can be understood as creative, abrupt, and controversial. On one hand, ugliness can arise from clear aesthetic enjoyment, like a scream that shocks the standards of beauty. On the other hand, beauty becomes an ambiguous and nihilistic entity, oscillating between opposite poles, which triggers different reactions in the viewer, and it is mainly how different art trends elaborate their content. Dali does not escape this phenomenon and his art reflects this aesthetic ambivalence; which will be analyzed in several of his works.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Arte]]></kwd>
<kwd lng="es"><![CDATA[Surrealismo]]></kwd>
<kwd lng="es"><![CDATA[Belleza]]></kwd>
<kwd lng="es"><![CDATA[Fealdad]]></kwd>
<kwd lng="es"><![CDATA[Dalí]]></kwd>
<kwd lng="en"><![CDATA[Art]]></kwd>
<kwd lng="en"><![CDATA[Surrealism]]></kwd>
<kwd lng="en"><![CDATA[Beauty]]></kwd>
<kwd lng="en"><![CDATA[Ugliness]]></kwd>
<kwd lng="en"><![CDATA[Dalí]]></kwd>
</kwd-group>
</article-meta>
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