<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2215-2636</journal-id>
<journal-title><![CDATA[Káñina]]></journal-title>
<abbrev-journal-title><![CDATA[Káñina]]></abbrev-journal-title>
<issn>2215-2636</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Costa Rica]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2215-26362021000200213</article-id>
<article-id pub-id-type="doi">10.15517/rk.v45i2.48184</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Illustrations and (l)imitations in western art and science: a critical biography of intersections in the co-creation of liberal humanism]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Bradley]]></surname>
<given-names><![CDATA[Mónica]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Costa Rica Escuela de Lenguas Modernas. ]]></institution>
<addr-line><![CDATA[San José ]]></addr-line>
<country>Costa Rica</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>08</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>08</month>
<year>2021</year>
</pub-date>
<volume>45</volume>
<numero>2</numero>
<fpage>213</fpage>
<lpage>247</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_arttext&amp;pid=S2215-26362021000200213&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_abstract&amp;pid=S2215-26362021000200213&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_pdf&amp;pid=S2215-26362021000200213&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This paper offers a critical biography revealing certain historical intersections and divisions between Western art and science and points to specific moments where they have worked together through an exclusionary version of liberal humanism. This version of liberal humanism was often constructed through the dehumanization of women, people of color, people with disabilities and sexual minorities who were relegated to the non-human, the almost human, the animal or the monstrous. As part of the methods, it offers a critical genealogy, sifting through the cultural vestiges of art, science, philosophy, medicine, atlases, illustrations, colonial and eugenic discourses, feminist, queer, and postcolonial theories, and visual culture in order to recover and reconstruct specific connections between art and science in different historical periods (from the late 1400so the present). By drawing attention to the fact that &#8220;the human&#8221; has been a shifting and unstable signifier, this paper concludes that both Western art and science have the ability to help co-construct humanity by formulating new more equitable assemblages or the power to magnify already existing power disparities.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo ofrece una biografía crítica que revela ciertas intersecciones y divisiones históricas entre el arte y la ciencia occidentales y señala momentos específicos en los que han trabajado juntos a través de una versión excluyente del humanismo liberal. Esta versión del humanismo liberal a menudo se construyó a través de la deshumanización de las mujeres, las personas de color, las personas con discapacidades y las minorías sexuales que fueron relegadas a lo no humano, lo casi humano, lo animal o lo monstruoso. Como parte de los métodos, ofrece una genealogía crítica, tamizando los vestigios culturales del arte, la ciencia, la filosofía, la medicina, los atlas, las ilustraciones, los discursos coloniales y eugenésicos, las teorías feministas, queer y poscoloniales, y la cultura visual para recuperar y reconstruir conexiones específicas entre el arte y la ciencia en diferentes períodos históricos (desde finales del siglo XV hasta el presente). Al llamar la atención sobre el hecho de que &#8220;lo humano&#8221; ha sido un significante cambiante e inestable, este artículo concluye que tanto las artes como las ciencias occidentales tienen la capacidad de ayudar a co-construir la humanidad mediante la formulación de nuevos ensamblajes más equitativos o el poder de magnificar las ya existentes disparidades de poder.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[History of art and science]]></kwd>
<kwd lng="en"><![CDATA[liberal humanism]]></kwd>
<kwd lng="en"><![CDATA[critical theory]]></kwd>
<kwd lng="en"><![CDATA[feminist science studies]]></kwd>
<kwd lng="en"><![CDATA[post-humanism.]]></kwd>
<kwd lng="es"><![CDATA[Historia del arte y la ciencia]]></kwd>
<kwd lng="es"><![CDATA[humanismo liberal]]></kwd>
<kwd lng="es"><![CDATA[teoría crítica]]></kwd>
<kwd lng="es"><![CDATA[estudios científicos feministas]]></kwd>
<kwd lng="es"><![CDATA[posthumanismo.]]></kwd>
</kwd-group>
</article-meta>
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