<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2215-2636</journal-id>
<journal-title><![CDATA[Káñina]]></journal-title>
<abbrev-journal-title><![CDATA[Káñina]]></abbrev-journal-title>
<issn>2215-2636</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Costa Rica]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2215-26362019000200177</article-id>
<article-id pub-id-type="doi">10.15517/rk.v43i2.40317</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El caribe costarricense en la pintura de Leonel González]]></article-title>
<article-title xml:lang="en"><![CDATA[Costa Rican&#8217; Caribean in Leonel González paintings]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Solano Brizuela]]></surname>
<given-names><![CDATA[Ericka]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Costa Rica  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Costa Rica</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>08</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>08</month>
<year>2019</year>
</pub-date>
<volume>43</volume>
<numero>2</numero>
<fpage>177</fpage>
<lpage>205</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_arttext&amp;pid=S2215-26362019000200177&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_abstract&amp;pid=S2215-26362019000200177&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_pdf&amp;pid=S2215-26362019000200177&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El presente artículo muestra cómo se gestó la representación del Caribe en la propuesta plástica de Leonel González a partir de las siluetas negras en sus pinturas, influenciadas por el icono bizantino. La investigación considera las pinturas y las publicaciones sobre la obra de González, para abordar su labor artística en el auge del expresionismo en Costa Rica durante las décadas de 1980 y 1990.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article present how the representation of the Caribbean was conceived by Leonel González in his plastic proposal, through the black silhouettes in his paintings resulted from the influence of Byzantine icon. This research consult González&#8217; paintings as well as publications about his work, is an approach to the rise of expressionism in Costa Rica during the decades 1980 and 1990.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Arte costarricense]]></kwd>
<kwd lng="es"><![CDATA[Leonel González]]></kwd>
<kwd lng="es"><![CDATA[neoexpresionismo]]></kwd>
<kwd lng="en"><![CDATA[Costar Rican art]]></kwd>
<kwd lng="en"><![CDATA[Leonel González]]></kwd>
<kwd lng="en"><![CDATA[neo-expressionism]]></kwd>
</kwd-group>
</article-meta>
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