<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2215-2636</journal-id>
<journal-title><![CDATA[Káñina]]></journal-title>
<abbrev-journal-title><![CDATA[Káñina]]></abbrev-journal-title>
<issn>2215-2636</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Costa Rica]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2215-26362018000100175</article-id>
<article-id pub-id-type="doi">10.15517/rk.v42i1.33431</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Taberna: una visión desde el orden carnavalesco]]></article-title>
<article-title xml:lang="en"><![CDATA[Taberna: a vision from the carnavalesc order]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Delgado Solís]]></surname>
<given-names><![CDATA[Diego]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Costa Rica  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Costa Rica</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2018</year>
</pub-date>
<volume>42</volume>
<numero>1</numero>
<fpage>175</fpage>
<lpage>187</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_arttext&amp;pid=S2215-26362018000100175&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_abstract&amp;pid=S2215-26362018000100175&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_pdf&amp;pid=S2215-26362018000100175&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El siguiente artículo analiza la estructura del collage en el poema Taberna del salvadoreño Roque Dalton, escrito entendido como una estructura carnavalesca que permite el disparate y el corte lingüístico brusco y, por tanto, una subversión del orden establecido en varios niveles: lo corporal, lo sexual y lo divino. Para el análisis se utilizan conceptos claves de la Teoría del carnaval de Mijaíl Bajtín.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The following article discusses the structure of the collage in the poem La Taberna del Salvadoran Roque Dalton as a structure that enables carnival nonsense and linguistic sharp cutting and therefore a subversion of the established order on several levels: the body, the sexual, the divine. For analysis, the author uses key concepts of the theory of carnival by Mikhail Bakhtin.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[poesía salvadoreña]]></kwd>
<kwd lng="es"><![CDATA[collage]]></kwd>
<kwd lng="es"><![CDATA[carnaval]]></kwd>
<kwd lng="es"><![CDATA[subversión]]></kwd>
<kwd lng="es"><![CDATA[transgresión]]></kwd>
<kwd lng="en"><![CDATA[Salvadoran Poetry]]></kwd>
<kwd lng="en"><![CDATA[collage]]></kwd>
<kwd lng="en"><![CDATA[Carnival]]></kwd>
<kwd lng="en"><![CDATA[subvertion]]></kwd>
<kwd lng="en"><![CDATA[transgretion]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
