<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2215-2466</journal-id>
<journal-title><![CDATA[Revista Rupturas]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Rup.]]></abbrev-journal-title>
<issn>2215-2466</issn>
<publisher>
<publisher-name><![CDATA[ Universidad Estatal a Distancia (UNED)]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2215-24662021000200175</article-id>
<article-id pub-id-type="doi">10.22458/rr.v11i2.3649</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Metal en la aldea: La construcción de una escena musical urbana en Costa Rica (1980-1992)]]></article-title>
<article-title xml:lang="en"><![CDATA[Metal Music in the Village: The Making of an Urban Music Scene in Costa Rica (1980-1992)]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Hernández Parra]]></surname>
<given-names><![CDATA[Sergio Isaac]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Investigador independiente  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Costa Rica</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2021</year>
</pub-date>
<volume>11</volume>
<numero>2</numero>
<fpage>175</fpage>
<lpage>194</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_arttext&amp;pid=S2215-24662021000200175&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_abstract&amp;pid=S2215-24662021000200175&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_pdf&amp;pid=S2215-24662021000200175&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Las escenas musicales dinamizaron el paisaje cultural costarricense a finales del siglo XX. Estas formaciones se originaron gracias al auge de las juventudes, el consumo cultural y los procesos de urbanización. Además, fueron lideradas, en primera instancia, por las prácticas musicales del rock y el metal. De acuerdo con esta premisa, la presente investigación se planteó como objetivo analizar la construcción de la escena musical metal en Costa Rica entre los años 1980-1992. Con este fin, el trabajo abordará las dinámicas musicales y culturales que permitieron al metal conformarse como escena, y que conllevó a una creciente estigmatización social.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Music scenes were the most influential expressions in Costa Rican popular culture at the end of the twentieth century. These cultural formations were facilitated by the public relevance of the youths, and the growth of cultural consumption and urban areas. Also, they were leaded by the rock and metal music; therefore, the purpose of this paper is to analyze the articulation and evolution of the metal urban scene of Costa Rica between the years 1980-1992. For that, this investigation will provide evidence of how the metal music separate himself from the rock music and set his own musical dynamic, although that generated public awareness.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[escena musical]]></kwd>
<kwd lng="es"><![CDATA[prácticas musicales]]></kwd>
<kwd lng="es"><![CDATA[música rock]]></kwd>
<kwd lng="es"><![CDATA[música metal]]></kwd>
<kwd lng="en"><![CDATA[music scene]]></kwd>
<kwd lng="en"><![CDATA[rock music]]></kwd>
<kwd lng="en"><![CDATA[metal music]]></kwd>
<kwd lng="en"><![CDATA[music practice]]></kwd>
</kwd-group>
</article-meta>
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</article>
