<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2215-2458</journal-id>
<journal-title><![CDATA[InterSedes]]></journal-title>
<abbrev-journal-title><![CDATA[InterSedes]]></abbrev-journal-title>
<issn>2215-2458</issn>
<publisher>
<publisher-name><![CDATA[Sedes Regionales]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2215-24582018000100004</article-id>
<article-id pub-id-type="doi">10.15517/isucr.v19i39.34066</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La hibridación en la producción de Joaquín Orellana]]></article-title>
<article-title xml:lang="en"><![CDATA[Hybridization in the production of Joaquín Orellana]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Meza -Sandoval]]></surname>
<given-names><![CDATA[Gerardo Enrique]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de Costa Rica Escuela de Música ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Costa Rica</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2018</year>
</pub-date>
<volume>19</volume>
<numero>39</numero>
<fpage>3</fpage>
<lpage>16</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_arttext&amp;pid=S2215-24582018000100004&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_abstract&amp;pid=S2215-24582018000100004&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_pdf&amp;pid=S2215-24582018000100004&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En este acercamiento a la obra del guatemalteco Joaquín Orellana, se trata su metáfora musical como un espacio convergente de lo local y lo glocal a partir de la propuesta de García Canclini.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ Abstract This is an approach to the production of the Guatemalan composer Joaquin Orellana, where his musical metaphor is treated as a convergent space between the local and the glocal, based on García Canclini&#8217;s proposal.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[hibridación - música centroamericana - Joaquín Orellana - útiles sonoros]]></kwd>
<kwd lng="en"><![CDATA[Hybridization - Central America Music - Joaquín Orellana - Sound Utensils]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Anleu Díaz]]></surname>
<given-names><![CDATA[Enrique.]]></given-names>
</name>
</person-group>
<source><![CDATA[Historia crítica de la música en Guatemala]]></source>
<year>1991</year>
<publisher-loc><![CDATA[Guatemala ]]></publisher-loc>
<publisher-name><![CDATA[Ediciones Artemio]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Anleu Díaz]]></surname>
<given-names><![CDATA[Enrique.]]></given-names>
</name>
</person-group>
<source><![CDATA[Historia Social del Arte. Ensayos sobre plástica y música en Guatemala 1871-2004. Centro de Estudios Folklóricos.]]></source>
<year>2004</year>
<publisher-loc><![CDATA[Guatemala ]]></publisher-loc>
<publisher-name><![CDATA[Universidad de San Carlos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[García Canclini]]></surname>
<given-names><![CDATA[Nestor.]]></given-names>
</name>
</person-group>
<source><![CDATA[Consumidores y ciudadanos]]></source>
<year>1995</year>
<publisher-loc><![CDATA[México, D.F ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Grijalbo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[García Canclini]]></surname>
<given-names><![CDATA[Nestor]]></given-names>
</name>
</person-group>
<source><![CDATA[Culturas híbridas. Estrategias para entrar y salir de la modernidad.]]></source>
<year>1990</year>
<publisher-loc><![CDATA[México, D.F ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Grijalbo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Godinez]]></surname>
<given-names><![CDATA[Léster.]]></given-names>
</name>
</person-group>
<source><![CDATA[La marimba guatemalteca.]]></source>
<year>2002</year>
<publisher-loc><![CDATA[Guatemala ]]></publisher-loc>
<publisher-name><![CDATA[Fondo de Cultura Económica]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Herrera]]></surname>
<given-names><![CDATA[Bernal.]]></given-names>
</name>
</person-group>
<source><![CDATA[Nietzsche y las vanguardias. En Nietzsche y la modernidad.]]></source>
<year>1998</year>
<page-range>33-78</page-range><publisher-loc><![CDATA[Heredia, Costa Rica ]]></publisher-loc>
<publisher-name><![CDATA[Editorial FundaciónUNA]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lehnhoff]]></surname>
<given-names><![CDATA[Dieter.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Tendencias en la creación musical centroamericana del siglo XX.&#8221; En Cultura de Guatemala.]]></article-title>
<source><![CDATA[Anuario Musical Año XV]]></source>
<year>1994</year>
<volume>.III</volume>
<page-range>31-5</page-range><publisher-loc><![CDATA[Guatemala ]]></publisher-loc>
<publisher-name><![CDATA[Universidad Rafael Landívar Instituto de Musicología]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lehnhoff]]></surname>
<given-names><![CDATA[Dieter.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La propuesta estética de Joaquín Orellana.&#8221; Cultura de Guatemala.]]></article-title>
<source><![CDATA[Anuario Musical. Año XVIII]]></source>
<year>1997</year>
<volume>IV</volume>
<page-range>111-3</page-range><publisher-loc><![CDATA[Guatemala ]]></publisher-loc>
<publisher-name><![CDATA[Universidad Rafael Landívar Instituto de Musicología]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lehnhoff]]></surname>
<given-names><![CDATA[Dieter]]></given-names>
</name>
</person-group>
<source><![CDATA[Creación musical en Guatemala.]]></source>
<year>2005</year>
<publisher-loc><![CDATA[Guatemala ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Galería]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Markman]]></surname>
<given-names><![CDATA[Rejane.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Los sonidos híbridos de la música manguebeat en un contexto de transculturación]]></article-title>
<source><![CDATA[Revista Sociedad y Economía]]></source>
<year>2005</year>
<numero>8</numero>
<issue>8</issue>
<publisher-loc><![CDATA[Colombia ]]></publisher-loc>
<publisher-name><![CDATA[Universidad del Valle Cali]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bathen]]></surname>
<given-names><![CDATA[Morales]]></given-names>
</name>
<name>
<surname><![CDATA[Antonio.]]></surname>
<given-names><![CDATA[Raúl]]></given-names>
</name>
</person-group>
<source><![CDATA[Las tres Guatemalas un estudio de desarrollo desigual.]]></source>
<year>2004</year>
<publisher-loc><![CDATA[Madrid, España ]]></publisher-loc>
<publisher-name><![CDATA[Universidad Pontificia de Salamanca]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mumma]]></surname>
<given-names><![CDATA[Gordon.]]></given-names>
</name>
</person-group>
<source><![CDATA[Innovation in Latinoamerican electroacustical music. The Pacific Ring Festival Journal,]]></source>
<year>1986</year>
<publisher-loc><![CDATA[San Diego ]]></publisher-loc>
<publisher-name><![CDATA[Universidad de California]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Noller]]></surname>
<given-names><![CDATA[Joachim]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Poetica Noniana. Appunti per progrediti.]]></article-title>
<source><![CDATA[Musica Realtá]]></source>
<year>1994</year>
<numero>43</numero>
<issue>43</issue>
<page-range>43-51.</page-range></nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Orellana]]></surname>
<given-names><![CDATA[Joaquín.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Hacia un lenguaje propio de Latino América en música actual]]></article-title>
<source><![CDATA[Revista Alero]]></source>
<year>1977</year>
<numero>24</numero>
<issue>24</issue>
<page-range>22-7</page-range></nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Orellana]]></surname>
<given-names><![CDATA[Joaquín]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Algunos aspectos sobre la noción de paisaje sonoro]]></article-title>
<source><![CDATA[Revista del XIV Festival de Cultura 15.]]></source>
<year>1983</year>
<publisher-loc><![CDATA[Guatemala ]]></publisher-loc>
<publisher-name><![CDATA[Dirección General de Cultura y Bellas Artes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vargas Benavidez]]></surname>
<given-names><![CDATA[Henry.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Arte-objeto en las representaciones de dos artistas centroamericanos: entre lo local, lo &#8220;glocal&#8221; y lo global.]]></article-title>
<source><![CDATA[Revista Inter Sedes]]></source>
<year>2008</year>
<volume>IX</volume>
<page-range>241-53</page-range></nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Veres]]></surname>
<given-names><![CDATA[Luis.]]></given-names>
</name>
</person-group>
<source><![CDATA[Nicolás Guillén y el período vanguardista en América latina]]></source>
<year>2007</year>
<publisher-loc><![CDATA[Valencia-España ]]></publisher-loc>
<publisher-name><![CDATA[Universidad Cardenal Herrera-CE]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Paraskevaídis]]></surname>
<given-names><![CDATA[Graciela.]]></given-names>
</name>
</person-group>
<source><![CDATA[Música dodecafónica y serialismo en América Latina]]></source>
<year>1985</year>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
