<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1659-4223</journal-id>
<journal-title><![CDATA[Revista de Estudios Históricos de la Masonería Latinoamericana y Caribeña]]></journal-title>
<abbrev-journal-title><![CDATA[REHMLAC]]></abbrev-journal-title>
<issn>1659-4223</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Costa Rica]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1659-42232019000100144</article-id>
<article-id pub-id-type="doi">10.15517/rehmlac.v10i2.34940</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Toward a &#8220;Masonic musicology&#8221;. Some theoretical issues on the study of Music in relation to Freemasonry]]></article-title>
<article-title xml:lang="es"><![CDATA[Hacia una &#8220;musicología masónica&#8221;. Algunas cuestiones teóricas sobre el estudio de la música en relación con la masonería]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Vergauwen]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Libre de Bruselas  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Belgium</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2019</year>
</pub-date>
<volume>10</volume>
<numero>2</numero>
<fpage>144</fpage>
<lpage>161</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_arttext&amp;pid=S1659-42232019000100144&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_abstract&amp;pid=S1659-42232019000100144&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_pdf&amp;pid=S1659-42232019000100144&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The paradigm called &#8216;New Historicism&#8217; and its many spin-offs like &#8216;New Musicology&#8217;, proclaims that an art historian should no longer limit itself to solely the study of an artwork, but should instead focus on its historical and sociological &#8220;context&#8221;. By means of a new tool that we shall label &#8220;Masonic musicology&#8221; will argue that the logic used by New Musicologists and of even Ethnomusicologists also applies to the study of music in relation to freemasonry. Studying a composer&#8217;s involvement with freemasonry, can lead to inspiring new interpretations of a composer&#8217;s work. The goal of this article is threefold; first, it determines some interesting findings other scholars have put forward. Secondly, it is a theoretical framework for the undertaking of similar studies. Thirdly, it relates this theoretical framework to other up-to-date paradigms, to thus encourage scholars not to treat the masonic connection in art as the taboo subject it sometimes is.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El paradigma llamado &#8220;nuevo historicismo&#8221; y sus muchas ramificaciones como &#8220;nueva musicología&#8221;, proclama que ya no se debería de limitar el estudio a la obra de arte en sí misma, sino centrarse en el &#8220;contexto&#8221; de su historia y sociología. Mediante una nueva herramienta que llamaremos &#8220;musicología masónica&#8221;. Se argumenta que la lógica utilizada por los nuevos musicólogos, incluso los etnomusicólogos, también puede aplicarse al estudio de la música en relación con la masonería. El estudio de la participación de un compositor en la masonería puede conllevar nuevas interpretaciones de la música de dicho compositor. El objetivo de este artículo es triple; primero, presenta algunos hallazgos interesantes sobre este tema; en segundo lugar, ofrecer un marco teórico para estudios similares; y en tercer lugar, conecta este marco teórico con otros paradigmas actualizados para que ya no sea tabú tratar la conexión del arte con la masonería.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Ritual]]></kwd>
<kwd lng="en"><![CDATA[Freemasonry]]></kwd>
<kwd lng="en"><![CDATA[Music Theory]]></kwd>
<kwd lng="en"><![CDATA[Ethnomusicology]]></kwd>
<kwd lng="en"><![CDATA[Masonic Musicology]]></kwd>
<kwd lng="es"><![CDATA[ritual]]></kwd>
<kwd lng="es"><![CDATA[masonería]]></kwd>
<kwd lng="es"><![CDATA[teoría de la música]]></kwd>
<kwd lng="es"><![CDATA[etnomusicología]]></kwd>
<kwd lng="es"><![CDATA[musicología masónica]]></kwd>
</kwd-group>
</article-meta>
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