<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1409-469X</journal-id>
<journal-title><![CDATA[Diálogos Revista Electrónica de Historia]]></journal-title>
<abbrev-journal-title><![CDATA[Diálogos rev. electr. hist]]></abbrev-journal-title>
<issn>1409-469X</issn>
<publisher>
<publisher-name><![CDATA[Escuela de Historia. Universidad de Costa Rica]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1409-469X2015000300147</article-id>
<article-id pub-id-type="doi">10.15517/dre.v0i0.22012</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Theatrical inauguration of a parallax view: intertextually - mediated communal memory in Borges&#8217;s &#8220;tema del traidor y del héroe&#8221;]]></article-title>
<article-title xml:lang="es"><![CDATA[Una vista paralaje: una mediación intertextual de la memoria comunal en &#8216;tema del traidor y del héroe&#8217; de Borges]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[BahenaUrióstegui]]></surname>
<given-names><![CDATA[Mario]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Johnson C. Smith  ]]></institution>
<addr-line><![CDATA[Charlotte Carolina del Norte]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>11</month>
<year>2015</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>11</month>
<year>2015</year>
</pub-date>
<volume>16</volume>
<fpage>147</fpage>
<lpage>162</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_arttext&amp;pid=S1409-469X2015000300147&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_abstract&amp;pid=S1409-469X2015000300147&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.sa.cr/scielo.php?script=sci_pdf&amp;pid=S1409-469X2015000300147&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article analyzes the mediation of historical events in &#8220;Tema del traidor y del héroe&#8221; by Jorge Luis Borges, wherein decisive revolutionary successes are the results of a staged performance-the dramatized execution of independence leader Fergus Kilpatrick. By mixing theater and history, Borges overcomes historical representation in terms of the binaries true/false and real/fiction. This article argues that the historical reality initiated by this performance is the result of an incessant literary mediation. Literature, specifically Festspiele and Shakespearean plays, helped establish a parallax view of the historical events and became the vehicle to validate them as ontological reality. Thus, the historical events, performed or otherwise, are inherently accompanied by literature, having the latter enlighten the former. When Ryan, the main character, discovers the historical theatricality, he also discovers that he cannot change the social significance of the historical events, and himself becomes a part of the historical narrative.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo analiza la mediación de sucesos históricos en &#8220;Tema del traidor y del héroe&#8221; de Jorge Luis Borges, donde sucesos decisivos fueron realmente un teatro-la ejecución dramática del líder de la independencia Fergus Kilpatrick-. Al mezclar teatro e historia, Borges supera la representación de lo histórico en términos binarios de verdadero/falso o real/ficción. El artículo argumenta que la realidad histórica inaugurada por el teatro es el resultado de una mediación incesante literaria. Lo literario, en particular, un Festspiele y obras de teatro shakesperianas ayudaron a establecer una vista paralaje de la historia además de ser el vehículo para validar lo histórico como real. Por tanto, lo histórico, ya sea lo teatralizado o no, es inherentemente acompañado por lo literario, haciendo que lo segundo se encargue de iluminar lo primero. Cuando Ryan, el personaje principal, descubre el teatro histórico también se da cuenta de que no puede cambiar el significado de los eventos en la sociedad, convirtiéndose él mismo en parte de la narrativa histórica.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[historical mediation]]></kwd>
<kwd lng="en"><![CDATA[parallax view]]></kwd>
<kwd lng="en"><![CDATA[literature and history]]></kwd>
<kwd lng="en"><![CDATA[representation]]></kwd>
<kwd lng="es"><![CDATA[mediación histórica]]></kwd>
<kwd lng="es"><![CDATA[vistas paralajes]]></kwd>
<kwd lng="es"><![CDATA[lo literario y lo histórico]]></kwd>
<kwd lng="es"><![CDATA[representación]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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