Hugo Pratt and the Freemasonic Aesthetic:Corto Maltese, The Last Romantic Mason?

vol.10 número2

Masonic symbols and their representation in the world of video games: The case of Virtual Temple and Masonic Mystery

Toward a “Masonic musicology”. Some theoretical issues on the study of Music in relation to Freemasonry

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Revista de Estudios Históricos de la Masonería Latinoamericana y Caribeña

versão On-line ISSN 1659-4223

Resumo

MARTIN LOPEZ, David e JIMENEZ NIEVAS, Antonio. Hugo Pratt and the Freemasonic Aesthetic:Corto Maltese, The Last Romantic Mason?. REHMLAC [online]. 2019, vol.10, n.2, pp.125-143. ISSN 1659-4223. http://dx.doi.org/10.15517/rehmlac.v10i2.34965.

The aim of this paper, with an holistic approach, is to reconsider the masonic fact in the art work of the freemason Italian cartoonist Hugo Pratt (1927-1995) and, specially, in that of his main character Corto Maltese (1967-1992).

Palavras-chave : Hugo Pratt; Corto Maltese; comics; masonic aesthetics; symbolism; esoterism; secret societies.

· resumo em Espanhol · texto em Espanhol · Espanhol (

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